green belt
Curated by Em Marie Davenport
July 8 — August 12, 2022
A green belt is a buffer. It’s as inconspicuous as a highway median or as clear as an unobstructed horizon line.
Traditionally, a green belt is an area of land that surrounds and restricts the unfettered expansion of urban development. However, this exhibition does not necessarily engage with the practical implementation or efficacy of these common (and sometimes contested) elements of city planning and land preservation. Instead, it explores the inherent tension that these areas represent between urban, suburban, and rural, and engages a theoretical space in which one can focus upon the potency and emotional forgiveness that a rural environment provides.
The works in this show, their material components and histories, and the objects which they depict also function as symbols inherently bound to these artists’ existence within the natural environment. Some artists emphatically embrace their personal connection to various landscapes, while others explore issues of privacy, autonomy, and comfort, treating rurality as an escape from the overbearing surveillance of urbanity.
In only representing human figures fragmentarily or not at all, these works call to mind the “leave no trace” ideology that is expected of visitors within a protected landscape. It is interesting to consider, then, that green belts themselves are essentially and paradoxically created through human intervention, whether by means of construction or destruction. All of these works similarly bear the inevitable traces of interaction between humans and nature.
Many consider not only the emotions and behaviors that come with inhabiting or exploring a rural area, but also the complicated trajectories by which one arrives in these spaces. Gestures as innocuous as footsteps tamped into grass or wildflowers picked from the ground are presented along with physical symbols and acts of demarcation such as road-building and colonial surveying.
Taylor Augustine
Maeve Coughlin
Wallace Dibble
Bea Fremderman
Ash Galka
Leo Horton
Ryan Kitson
Bradley Marshall
Jamieson Pearl
Jesse Robinson
Michael Thompson
Shiwen Wang
Please direct all inquiries to info@jargonprojects.com.

















Leo Horton
Vacant Lot, 2022
Oil on canvas
7 x 5 in (8.5 x 6.5 x 2.25 in framed)

Leo Horton
Vacant Lot, 2022
Oil on canvas
7 x 5 in (8.5 x 6.5 x 2.25 in framed)

Leo Horton
Vacant Lot, 2022
Oil on canvas
7 x 5 in (8.5 x 6.5 x 2.25 in framed)

Shiwen Wang
Untitled, 2021
Oil on canvas
9.5 x 12 in

Shiwen Wang
Untitled, 2021
Oil on canvas
9.5 x 12 in

Ryan Kitson
Diamond One, 2022
Copper, aluminum, and brass
32 x 33 in

Ryan Kitson
Diamond One, 2022
Copper, aluminum, and brass
32 x 33 in

Ryan Kitson
Diamond One, 2022 (detail)
Copper, aluminum, and brass
32 x 33 in

Ryan Kitson
Diamond One, 2022 (detail)
Copper, aluminum, and brass
32 x 33 in

Michael Thompson
Bridle Hung Leaves Spots Made Brown, 2022
Oil on canvas
18 x 16 in

Michael Thompson
Bridle Hung Leaves Spots Made Brown, 2022
Oil on canvas
18 x 16 in

Wallace Dibble
campfire (inside), 2019
Hydro-transferred enamel on hand carved birch
Dimensions variable

Wallace Dibble
campfire (inside), 2019
Hydro-transferred enamel on hand carved birch
Dimensions variable

Bea Fremderman
Birdhouse, 2022
Men's dress shoe
12.75 x 4.5 x 5 in

Bea Fremderman
Birdhouse, 2022
Men's dress shoe
12.75 x 4.5 x 5 in

Bea Fremderman
Birdhouse, 2022
Men's dress shoe
12.75 x 4.5 x 5 in

Bea Fremderman
Birdhouse, 2022
Men's dress shoe
12.75 x 4.5 x 5 in

Bea Fremderman
Birdhouse, 2022 (detail)
Men's dress shoe
12.75 x 4.5 x 5 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021 (detail)
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021 (detail)
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021 (detail)
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021 (detail)
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Bradley Marshall
An Imperfect Offering, A Windowless Room (Skeeeedaddle!), 2021 (detail)
Hand-cut MDF, inkjet print, steel, wax, tin can, pencil with lead replaced with steel, hardware, and adhesives
26 x 36.5 x 8 in

Jamieson Pearl
And now the road smells like a flock drowned in diesel fuel, 2022
Graphite on tracing paper on printer paper on drawing paper, white oak frame
9 x 12 in (10.5 x 13.5 x 1.5 in framed)

Jamieson Pearl
And now the road smells like a flock drowned in diesel fuel, 2022
Graphite on tracing paper on printer paper on drawing paper, white oak frame
9 x 12 in (10.5 x 13.5 x 1.5 in framed)

Jamieson Pearl
And now the road smells like a flock drowned in diesel fuel, 2022
Graphite on tracing paper on printer paper on drawing paper, white oak frame
9 x 12 in (10.5 x 13.5 x 1.5 in framed)

Jesse Robinson
6 Black & RED Las Vegas Promo Multi Pocket Survival Knife KeyRing TSA and 10 ASSORTED KNIVES FISHING AIRPORT CONFISCATION LOT 629H, 2018
Confiscated knives, wood, epoxy putty, microfiber, and magnets
48 x 24 x 1.5 in

Jesse Robinson
6 Black & RED Las Vegas Promo Multi Pocket Survival Knife KeyRing TSA and 10 ASSORTED KNIVES FISHING AIRPORT CONFISCATION LOT 629H, 2018
Confiscated knives, wood, epoxy putty, microfiber, and magnets
48 x 24 x 1.5 in

Jesse Robinson
6 Black & RED Las Vegas Promo Multi Pocket Survival Knife KeyRing TSA and 10 ASSORTED KNIVES FISHING AIRPORT CONFISCATION LOT 629H, 2018 (detail)
Confiscated knives, wood, epoxy putty, microfiber, and magnets
48 x 24 x 1.5 in

Jesse Robinson
6 Black & RED Las Vegas Promo Multi Pocket Survival Knife KeyRing TSA and 10 ASSORTED KNIVES FISHING AIRPORT CONFISCATION LOT 629H, 2018 (detail)
Confiscated knives, wood, epoxy putty, microfiber, and magnets
48 x 24 x 1.5 in

Jesse Robinson
6 Black & RED Las Vegas Promo Multi Pocket Survival Knife KeyRing TSA and 10 ASSORTED KNIVES FISHING AIRPORT CONFISCATION LOT 629H, 2018 (detail)
Confiscated knives, wood, epoxy putty, microfiber, and magnets
48 x 24 x 1.5 in

Taylor Augustine
Top Dressing, 2022
Oil on linen
29 x 37 in

Taylor Augustine
Top Dressing, 2022
Oil on linen
29 x 37 in

Maeve Coughlin
Untitled (airdry), 2022
Vinyl car grab handle, Jack Links jerky, resin, cotton jersey, grass, dirt, and lake water
Dimensions variable

Maeve Coughlin
Untitled (airdry), 2022
Vinyl car grab handle, Jack Links jerky, resin, cotton jersey, grass, dirt, and lake water
Dimensions variable

Maeve Coughlin
Untitled (airdry), 2022 (detail)
Vinyl car grab handle, Jack Links jerky, resin, cotton jersey, grass, dirt, and lake water
Dimensions variable

Maeve Coughlin
Untitled (airdry), 2022 (detail)
Vinyl car grab handle, Jack Links jerky, resin, cotton jersey, grass, dirt, and lake water
Dimensions variable

Maeve Coughlin
Untitled (airdry), 2022 (detail)
Vinyl car grab handle, Jack Links jerky, resin, cotton jersey, grass, dirt, and lake water
Dimensions variable

Ash Galka
spiderweb early early morning, 2022
river leaf study, 2022
Indigo dyed cotton and graphite on panel
5.5 x 8 in each

Ash Galka
spiderweb early early morning, 2022
river leaf study, 2022
Indigo dyed cotton and graphite on panel
5.5 x 8 in each