Memorial Universe!
Ella Rose Flood

April 29 — June 12, 2022

from: 11.11cody@gmail.com
to: ghostintheprincesstower@gmail.com


for ella rose:

Memorial Universe! is no casual obsession, sweetheart. And there’s no easy breezy way to see these works. So much biographical flotsam comes to the surface, but it would be a disservice to this pungent matrix of paintings to give personal history too much credit here. And while it might serve this letter to gossip horribly about a teenage Santa Monica, the blonde will share her own story (brunettes like myself have no excuse). 

Flood will tell you that the images seen in this show fix themselves compulsively in her mind, persistent mental flashes of an American Apparel bikini or crackers being desperately shoved into a mouth. Yet it is a mistake to consider these memories in any real sense. Flood never saw her mother being sworn in as an American citizen. Flood couldn’t have recalled a portrait of herself as a toddler standing mystified in the snow. And the intimacy of Ethan’s stomach and Ethan’s flipper is a treatment of flesh, not its lived impression. 

It is essential to note that Flood’s paintings are obsessions unto themselves not based in any lived reality, rather situated in her own distorted fantasy-reality landscape. One must dispel comparisons to any sort of naturalism here as well. Memorial Universe! is a singular language of signs and symbols, of a foggy two-nine-nine painted at its most matte, stamped with an Egyptian ankh on its tender edges. 

This exhibition is a shrine to Flood’s worship — personal rituals, oddly disgusting and funny and affectless as they are. A worship of her memorial universe which elides both the painstaking labor of these renderings and the strange personal cost of such fixations. Emerging fully formed from Flood, one can see the horror of rabbit/human flesh and the small joyous glimmer of a Christmas tree simultaneously. Either way, there’s no gloss.

It’s a matte universe and we’re all just living in it. Take a deep breath in front of Urine upland canyon two nine nine. All that sentimental uric stench in your lungs should clean you up real quick.



how’s this all sound?? let me know <3
see u soon 

yours forever darling,
cody

— Cody Benfield

Ella Rose Flood (b. 1999) is a painter based in Chicago. Flood received her BFA from the School of the Art Institute of Chicago. She has a forthcoming solo exhibition at Lubov, New York in 2023.

Please direct all inquiries to info@jargonprojects.com.

299, 2022
Oil on linen
8 x 11 in

299, 2022
Oil on linen
8 x 11 in

299, 2022
Oil on linen
8 x 11 in

Crackers (I am powerful, I feel restored, I believe in the law of attraction, I attract success), 2022
Oil on linen
10 x 7 in

Crackers (I am powerful, I feel restored, I believe in the law of attraction, I attract success), 2022
Oil on linen
10 x 7 in

Drawing a flower, 2022
Oil on panel
16 x 20 in

Drawing a flower, 2022
Oil on panel
16 x 20 in

2 rocks (kingship and fertility of the land), 2022
Oil on panel
36 x 48 in

Untitled (rabbit), 2021-22
Oil on canvas
48 x 60 in

On Wednesday, Jenny became a naturalized American citizen, at a ceremony at the courthouse in White Plains., 2022
Oil on panel
18 x 24 in

On Wednesday, Jenny became a naturalized American citizen, at a ceremony at the courthouse in White Plains., 2022
Oil on panel
18 x 24 in

I went outside to see a mountain of snow carved into a Sphinx. I will watch snow fall until it obscures its features, and once again becomes indistinguishable from the landscape., 2022
Oil and oil pastel on canvas
36 x 44 in

I went outside to see a mountain of snow carved into a Sphinx. I will watch snow fall until it obscures its features, and once again becomes indistinguishable from the landscape., 2022
Oil and oil pastel on canvas
36 x 44 in

American Apparel bikini, 2022
Oil on canvas
22 x 30 in

American Apparel bikini, 2022
Oil on canvas
22 x 30 in

Ethan’s stomach and Ethan’s flipper, 2021
Oil on panel
16 x 20 in

Ethan’s stomach and Ethan’s flipper, 2021
Oil on panel
16 x 20 in

Urine upland canyon two nine nine, 2022
Oil on panel
30 x 40 in